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Shooting was limited to between 1am and 4am so as not to get in the way of the real gamblers. There’s a nod to this in the form of three separate playings of the song "Stardust" throughout the movie. The fictional name for Ace’s casino is The Tangiers, but the story is based upon the history of the Stardust. It was indeed the "head in the vice" scene that was cut out. The infamous "head in a vice" scene is taken from an anecdote in the book Casino unrelated to the main story, describing mob enforcer Tony Spilotro’s interrogation of a low-level gangster. Joe Pesci’s character, Nicky Santoro, was based on Lefty’s real-life gangster pal Tony Spilotro,
He really did count the blueberries in the kitchen’s muffins to make sure they were equally distributed with 10 in each. Each casino needed a clean frontman while Rosenthal was the boss behind the scenes. He was never legally allowed to work inside a casino. The Nevada Gaming Commission barred him from having anything to do with gambling in Las Vegas in 1976. Spilotro was sent to Vegas to take charge of the mob’s skim at the casino. Their capo Joseph “The Clown” Lombardo made sure everyone followed the game plan.
Having attracted more attention with his suspected involvement in a series of murders, as well as illegal gambling and racketeering, the mobster was often penalized with fines but ultimately served no jail time. In Las Vegas, two best friends — a casino executive and a mafia enforcer — compete for a gambling empire and a fast-living, fast-loving socialite. For authenticity, and to keep from having to train actors how to do it, real dealers and pit bosses were used whenever possible.
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IGN’s Perry wrote that the game’s missions give the player "a stronger feeling of being inside a story within a world that truly exists". IGN’s Douglass Perry declared it "one of the most impressive games of 2002", and GameSpy’s Raymond Padilla named the experience "deep, devilishly enjoyable, and unique". The team intended to make Vice City a "living, breathing city" so the player would feel like "life still goes on" while their character was inside a building. As Tommy builds his criminal empire, the player may purchase a number of properties distributed across the city, some of which act as additional hideouts where weapons can be collected and vehicles can be stored.
In July 2006, Next Generation ranked it as the highest-selling game launched for the PlayStation 2, GameCube, or Xbox between January 2000 and July 2006 in the United States, with an estimated 7 million copies sold and US$300 million in revenue. It was the highest-selling game of 2002 in the United States; by 2004, the game had sold 5.97 million units, and by December 2007 it had sold 8.20 million. It was similarly named the Best PlayStation 2 game at the Golden Joystick Awards and from Entertainment Weekly, IGN, and GameSpot, and was awarded the prestigious Ultimate Game of the Year at the Golden Joystick Awards. IGN’s Davis was thankful for the addition of customisable controls, and wrote that they "make the experience much more controllable", and Touch Arcade’s Ford greatly appreciated the developer’s efforts to "make the situation bearable". Pocket Gamer’s Mark Brown found them "not ideal", but noted that this was also the case in the original game, while Digital Spy’s Scott Nichols felt that the game "only complicated [the controls] further". Tom Hoggins of The Telegraph identified some issues with character models, but stated "the city looks terrific".
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